Welcome to my
Visual Synopsis of the wonderful 1955 Science Fiction movie,
THIS ISLAND EARTH This poor presentation merely attempts to highlight some of the iconic imagery inherited by this motion picture largely from the pulp fiction that preceded it. In turn, the imagery adopted by this film greatly influenced many succeeding films such as Forbidden Planet and numerous others, to the present day. Some of you may only know this film from the severely mangled Mystery Science Theater parody. You have not seen the film if this is the case. I highly recommend you make the effort to view the original version on DVD. Although this film falls short of great cinema, and suffers badly from the severe editing of its initial release, it is still worth viewing in its original form. I was hugely impressed by the craftsmanship of the effects when I saw it at a Saturday matinee during its first run. Although quaint by present standards, it upped the bar well above most of the science fictions movies I had seen to up to that time, and without doubt it influenced my choice of career. |
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Jet Jockey / Scientist Cal flies a loaner jet from DC to LA. He tells the press boys that the Push Button Age will not truly arrive until he brings together consumer electronics and nuclear energy. |
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The jet flames out but is saved by mysterious green rays and lots of weird sound effects. Undaunted, Cal proceeds directly to the lab to torture test an electronic component of mysterious origin. |
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An unsolicitated catalog with metallic pages arrives. Cal orders everything on the Interocitor parts list. |
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A schematic hints at sophisticated vacuum tube technology far beyond that of Earth. When plugged in, a guy appears on the screen. Cal has passed an IQ test. He's invited to join a select group of elite scientists working on a vaguely Utopian project. |
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Can't leave that catalog and Interocitor schematic lying around. Back away please... Now back away more... |
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A DC3 lands in the early morning pea soup fog, a 1950's impossibility. Cal fearlessly boards the windowless, pilotless plane. |
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A short snooze later and he's at a remote location in Georgia. Who's there to meet him but former scientist / date Ruth. But she's acting strange, she can't (or won't) remember the (skinny dipping implied) date she had with Cal previously. |
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Up at the mansion, Exeter greets cal. He's got a really big forehead. He's also got Interocitor controls installed in his desk drawer. So as not to clash with the offices's ante-bellum decor, the Interocitor itself is mounted on the back of a swing-around bookshelf. |
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Why walk when you can tour the site via Interocitor? While checking out Cal's new lab, we happen upon Brack, who also has a big forehead and possibly some unresolved issues. After a sumptuous meal, tattle-tale Brack discovers Cal & Ruth & what's-his-name plotting an escape. They thought a few inches of puny lead shielding could hide them from the Interocitor's neutrino-powered imaging system! |
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OK, we're skipping ahead here a bit. Suffice it to say we left out the scene where Good Alien Exeter blows a cautionary Interocitor hole in the lead shielding as a kind of subtle warning to Cal. Things seem to going downhill when the Metalunan Monitor tells Brack and Exeter to scrub the whole operation and bring the space ship, because he might need a ride. Bad Alien Brack finally gets to work through his issues with The Earth Scientists. |
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Special Photography David S. Horsley ASC and Clifford Stine ASC
Optical Printing Roswell A. Hoffman other significant visual effects artists... William Fritzsche, Alexander Golitzen, Richard H. Riedel, Russell A. Gausman and Julia Heron |